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Negative Printing in Kuşadası — My Process — Bayram Yılmaz

Negative Printing in Kuşadası — My Process

Fewer and fewer photographers in the world still print from negatives in a darkroom. Here is how I work through the process in my darkroom in Kuşadası.

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Why Print? — Bayram Yılmaz

Why Print?

The photograph you see on a screen and the print you hold in your hand are not the same thing. A digital file stays fixed; a good print keeps changing.

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What Is Silver Gelatin Photography? — Bayram Yılmaz

What Is Silver Gelatin Photography?

Light, silver and gelatin: a short guide to the darkroom print — how it is made, why it looks the way it does and why it lasts.

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Why Print?

The photograph you see on a screen and the print you hold in your hand are not the same thing. That is easy to say, but understanding it by living with it is something else.

A print makes a photograph last. It holds light differently, it carries tone differently. When you hang it on a wall you see something different every day — one thing in the morning light, another in the evening. A digital file stays fixed; a good print keeps changing.

On a screen we look at a photograph for a few seconds and move on. A print on the wall, we pass every day. Over time that photograph becomes part of the home.

Having the photographs from the Paris Solitude series standing in a room as prints gives a completely different feeling from seeing them on a screen. I want my photographs to live as objects.

That is why I print my photographs in two ways: reproduction prints on Fujifilm Crystal Archive silver photographic paper, and signed, numbered, limited-edition prints. You can find them all on the Artworks page.